no. 4 (2019)

AUTHOR(S)	TITLE	PAGES
	From the Editor	12-15
	HERMENEUTICS. SLOW READING
Elena Mazzola	Dostoevsky’s Theology. An Incarnated Truth: Translating a Fantastic Story	16-49
Vladimir Viktorovich	Dostoevsky. The Question of the folk	50-67
	POETICS. CONTEXT
Tatyana Kasatkina	Schiller in Dostoevsky’s Works: Eleusinian Mysteries in The Brothers Karamazov	68-98
Olga Yuryeva	Prince Myshkin’s Bundle: the Function of a Symbolic Detailin Dostoevsky’s Novel Тhe Idiot	90-111
Tatyana Magaril-Il’yaeva	The Motif of Moving Flats in F.M. Dostoevsky’s Texts:From Early Works to the Novel The Insulted and the Injured	112-132
	“YOUNG READINGS” IN STARAYA RUSSA
Viktoria Fedorova	Prince Myshkin’s Brides in F.M. Dostoevsky’s Novel The Idiot	133-139
	DOSTOEVSKY: THEORY OF ART
Adriano Dell’Asta	Between Aestheticism and Utilitarianism. The Principles of a New Logic in Dostoevsky	140-159
	DOSTOEVSKY IN THE 20TH AND 21ST CENTURIES:DOSTOEVSKY IN THE 20TH AND 21ST CENTURIES:RESEARCH METHODS
Aleksandr Taganov	F.M. Dostoevsky and M. Proust in the History of Literature in France	160-173
	PROBLEMS OF COMMENTARY
Olga Dekhanova	Reading F.M. Dostoevsky Through the Eyes of His Contemporaries. One Aspect of Modern Commentaries	174-201
	DOSTOEVSKY ON STAGE
Anna Gumerova, Tatyana Magaril-Il’yaeva	“… No one has ever heard their word and voice”:Mark Rozovsky's “Ubivets (The Murderer)”	202-208
	REVIEWS
Tatyana Kovalevskaya	T.A. Kasatkina. “Dostoevsky as a Philosopher and Theologian:Artistic Method of Speaking”. Review	209-215
	SUMMARIES: CONFERENCES
Valentina Borisova	About the 27th International Dostoevsky Symposium	216-223