no. 3 (2019)

обложка5

AUTHOR(S)   TITLE PAGES 
  From the Editor 14-15
 

HERMENEUTICS. SLOW READING

 
Tatyana Kasatkina Dostoevsky’s Theology: Problems of Understanding and Description 16-33
Olga Meerson Biblical Subtexts as Arbiters for Ambiguous Passages 34-51
Anastasya Gacheva The Heritage of F.M. Dostoevsky and the Problem of Moral Interpretation of the Doctrine of the Trinity in Russian Theology of the 19th – First Third of the 20th century (Article One) 52-87 
 

 POETICS. CONTEXT

 
Nikolai Podosokorsky Ghosts of White Nights: A Freemason in the Net of Afterlife, The Maiden Drowned in May and the King Solomon’s Spirit 88-116
Anna Gumerova Motifs of I.H. Jung-Shtilling’s “Victorious Tale” in F.M. Dostoevsky’s Works 117-129
Valentina Sergeeva The Motif of Singing in “The Meek One” 130-141
 

“YOUNG REDINGS” IN STARAYA RUSSA

 
Vitalij Antonov The Other Double in F.M. Dostoevsky’s Story “The Double” 142-150
Aleksandr Alexandrov Light and Darkness in F. M. Dostoevsky Novel Netochka Nezvanova 151-156
Pavel Ivanov The Color in F. M. Dostoevsky Novel Netochka Nezvanova 157-161
 

ARCHIVE

 
Boris Tikhomirov Sergey Nechaev’s “A Revolutionary’s Catechism”. A Historical Document and Its Role in the Creative History of The Demons 162-178
Nikolai Bogdanov “I Must See with the Same Eyes…” A Letter from the Front by F.M. Dostoevsky’s Grandson (From Collections of the V.I. Dal State Museum of the History of Russian Literature) 179-185
 

DOSTOEVSKY AT THE STAGE

 
Pavel Fokin, Ilya Boretsky The First Production of F.M. Dostoevsky’s Novel Crime and Punishment on the Stage of the Parisian Théâtre de l’Odéon in the Assessment of Russian Correspondents (Based on the materials of the collection of A.G. Dostoevskaya) 186-209
 

DOSTOEVSKY IN THE 20TH AND THE 21ST CENTURIES: METHOLOGY OF STUDIES

 
Caterina Corbella Romano Guardini, Reader of Dante and Dostoevsky 210-226
 

DOSTOEVSKY’S LANGUAGE

 
Marina Korobova The Word Work in F.M. Dostoevsky’s Texts: Lexicographical Notes

 

227-255

 

 

DOWNLOAD FULL VERSION