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  <front>
    <journal-meta>
      <journal-id journal-id-type="publisher-id" xml:lang="en">Dostoevsky and World Culture</journal-id>
      <journal-title-group>
        <journal-title>Dostoevsky and World Culture</journal-title>
      </journal-title-group>
      <issn publication-format="print">2619-0311</issn>
      <issn publication-format="electronic">2712-8512</issn>
      <publisher>
        <publisher-name xml:lang="en">IWL RAS</publisher-name>
      </publisher>
    </journal-meta>
    <article-meta>
      <article-id pub-id-type="doi">https://doi.org/10.22455/2619-0311-2021-3-39-52</article-id>
      <article-categories>
        <subj-group subj-group-type="article-type" xml:lang="en">
          <subject/>
        </subj-group>
        <subj-group subj-group-type="heading" xml:lang="en">
          <subject>Articles</subject>
        </subj-group>
      </article-categories>
      <title-group>
        <article-title>Confession and Writing in Dostoevsky’s Novel The Adolescent</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <name name-style="western" xml:lang="en">
            <surname>Maria Candida Ghidini</surname>
          </name>
          <email>fedor@dostmirkult.ru</email>
        </contrib>
      </contrib-group>
      <pub-date pub-type="collection">
        <pub-date pub-type="pub" iso-8601-date="2021-09-25" publication-format="electronic">
          <day>25</day>
          <month>09</month>
          <year>2021</year>
        </pub-date>
      </pub-date>
      <volume>1</volume>
      <issue>3</issue>
      <fpage>39</fpage>
      <lpage>52</lpage>
      <kwd-group xml:lang="en">
        <kwd>Dostoevsky</kwd>
        <kwd>Rousseau</kwd>
        <kwd>сonfession</kwd>
        <kwd>The Adolescent</kwd>
      </kwd-group>
      <permissions>
        <copyright-statement>Copyright © 2026, IWL RAS</copyright-statement>
        <copyright-year>2026</copyright-year>
      </permissions>
      <abstract>This article analyses the specificity of Dostoevsky’s confessional prose, focusing on the novel The Adolescent. Dostoevsky can be defined as a superconfessional author, but he is characterized by a certain suspicion, and a certain mistrustfulness towards the very process of confession is typical of him. The article attempts to show that this apparent paradox has its origins in the modern context in which Dostoevsky operates, when religious, sacramental confession gives way to a psychological practice of self-affirmation.</abstract>
    </article-meta>
  </front>
</article>
