no. 4 (2022)

AUTHOR(S)	TITLE	PAGES
	From the Editor	19-26
	HERMENEUTICS. SLOW READING
Tatiana Kasatkina	How and Why the Author’s “Pointing Finger” Is Formed in Dostoevsky’s Works: Dostoevsky’s Radical Theology in the Novel Crime and Punishment	27-51
Tatiana Flegentova	The Premonition of Death as a Test of Faith for the Characters of the Novel The Idiot	52-70
	POETICS. CONTEXT
Nikolay Podosokorsky	“Napoleonic” Petersburg and its Reflection in Dostoevsky’s Novel Crime and Punishment	71-135
Olga Bogdanova	Russian Estate in Dostoevsky’s Novel Crime and Punishment	136-162
	TEXTUAL CRITICISM
Natalia Tarasova, Tatiana Panyukova	The Problem of Meaningful Differentiation of Fyodor Dostoevsky’s Rough Sketches for Different Work	163-189
	DOSTOEVSKY: HIS READINGS
Natalia Borovskaya	Caravaggio’s Death of the Virgin for Santa Maria della Scala in Rome as a “Subject of Controversy”: The Artist’s Intention and the Position of the Clergy	190-219
	DOSTOEVSKY ON STAGE
Olga Yuryeva	People and Puppets and Puppet-People in the Play Uncle’s Dream by the Irkutsk Puppet Theatre “Aistenok”	220-236
Tatiana Magaril-Il'iaeva	So They Began to Celebrate. The Play Crime and Punishment by the Theatre SObytie	237-256
	IN MEMORIAM
Valentina Borisova	Alina Denisova: In Memoriam	259-261
Olga Dekhanova	Alina Denisova: In Memoriam	262-263