no. 3 (2019)

AUTHOR(S)	TITLE	PAGES
	From the Editor	14-15
	HERMENEUTICS. SLOW READING
Tatyana Kasatkina	Dostoevsky’s Theology: Problems of Understanding and Description	16-33
Olga Meerson	Biblical Subtexts as Arbiters for Ambiguous Passages	34-51
Anastasya Gacheva	The Heritage of F.M. Dostoevsky and the Problem of Moral Interpretation of the Doctrine of the Trinity in Russian Theology of the 19th – First Third of the 20th century (Article One)	52-87
	POETICS. CONTEXT
Nikolai Podosokorsky	Ghosts of White Nights: A Freemason in the Net of Afterlife, The Maiden Drowned in May and the King Solomon’s Spirit	88-116
Anna Gumerova	Motifs of I.H. Jung-Shtilling’s “Victorious Tale” in F.M. Dostoevsky’s Works	117-129
Valentina Sergeeva	The Motif of Singing in “The Meek One”	130-141
	“YOUNG REDINGS” IN STARAYA RUSSA
Vitalij Antonov	The Other Double in F.M. Dostoevsky’s Story “The Double”	142-150
Aleksandr Alexandrov	Light and Darkness in F. M. Dostoevsky Novel Netochka Nezvanova	151-156
Pavel Ivanov	The Color in F. M. Dostoevsky Novel Netochka Nezvanova	157-161
	ARCHIVE
Boris Tikhomirov	Sergey Nechaev’s “A Revolutionary’s Catechism”. A Historical Document and Its Role in the Creative History of The Demons	162-178
Nikolai Bogdanov	“I Must See with the Same Eyes…” A Letter from the Front by F.M. Dostoevsky’s Grandson (From Collections of the V.I. Dal State Museum of the History of Russian Literature)	179-185
	DOSTOEVSKY AT THE STAGE
Pavel Fokin, Ilya Boretsky	The First Production of F.M. Dostoevsky’s Novel Crime and Punishment on the Stage of the Parisian Théâtre de l’Odéon in the Assessment of Russian Correspondents (Based on the materials of the collection of A.G. Dostoevskaya)	186-209
	DOSTOEVSKY IN THE 20TH AND THE 21ST CENTURIES: METHOLOGY OF STUDIES
Caterina Corbella	Romano Guardini, Reader of Dante and Dostoevsky	210-226
	DOSTOEVSKY’S LANGUAGE
Marina Korobova	The Word Work in F.M. Dostoevsky’s Texts: Lexicographical Notes	227-255