no. 1 (2019)

AUTHOR(S)	TITLES	PAGES
	From the Editor	14-15
	HERMENEUTICS. SLOW READING
Tatyana Kasatkina	F.M. Dostoevsky’s Story “The Beggar Boy at Christ's Christmas Tree”: the Image Structure and the Aesthetics of Action	16-40
Riley Ossorgin	How the Inmates’ Polyphonic Play Performs the “All Creation” Icon	41-54
	POETICS. CONTEXT
Tatyana Kovalevskaya	The Devils, “Distortion of Ideas”, and Dostoevsky’s Artistic Principles	55-81
Carol Apollonio	On Devils and Doors: Raskolnikov’s Ontology Problem	82-103
Denis Zhernokleyev	Nastasya’s Revolt: Metaphysical Significance of Contrariness in Dostoevsky	104-115
Stephan Lipke	Dostoevsky’s Ambivalent Reception of a Lutheran Tradition: The Christmas Tree and Christmas Party as a Motif in the Writer’s Stories.	116-126
	DOSTOEVSKY: TRANSLATION PROBLEMS
Elena Mazzola	Translation versus Commentary	127-156
Tatyana Magaril-Il’yaeva	“The Philosophy of Translation”: F. M. Dostoevsky and H. Balzac’s novel Eugénie Grandet	157-176
	“YOUNG READING” IN STARAYA RUSSA
Maria Alekseeva	The Flower Motif in Dostoevsky’s novel White nights	177-182
Nadezhda Shervarly	The Motif of Illusoriness in Dostoevsky’s Novel White Nights	183-188
	DOSTOEVSKY: HIS READINGS
Irina Lagutina	Goethe’s West-Oestlicher Divan: An Attempt of Interpretation	189-217
	REVIEWS, INTERVIEWS: «DOSTOEVSKY ON THE CONTEMPORARY STAGE»
Tatyana Kasatkina	“I Love You, Life…”: “Karamazovs” by Konstantin Bogomolov	218-221
Tatyana Magaril-Il’yaeva	Interview with Fyodor Malyshev, actor and director at Pyotr Fomenko Workshop Theatre	222-239