no. 2 (2022)

AUTHOR(S)	TITLE	PAGES
	From the Editor	14-17
	HERMENEUTICS. SLOW READING
Tatiana Magaril-Iliaeva	Fyodor Dostoevsky’s “A Little Hero” as an Initiatory Text	18-39
Sergey Sharakov	The Motif of Beauty in F.M. Dostoevsky’s Novel The Idiot	40-53
Nadezhda Vlasenko	The Parable of the Prodigal Son as a Story about the Father’s Mercy in Dostoevsky’s Novel The Humiliated and the Insulted	54-88
	POETICS. CONTEXT
Nikolay Podosokorsky	The Religious Element of the Myth of Napoleon in the Novel Crime and Punishment: The Image of “Napoleon-Prophet” and the Mystic Sects of Russian Schismatics, Worshippers of Napoleon	89-143
Olga Dekhanova	The Characterological Functions of Untidiness in the Works of Fyodor Dostoevsky and His Contemporaries	144-174
	DOSTOEVSKY. HIS READINGS
Natalia Borovskaya	Uomo interrogante — “The Questioner”: About Some Iconological Features of the Interpretation of Gospel in Renaissance Painting	175-191
	DOSTOEVSKY ON STAGE
Liudmila Saraskina	Dostoevsky’s Crime and Punishment on Foreign Screens: Transformations of the Chronotope	192-226
	DOSTOEVSKY IN THE 20^TH-21^ST CENTURY
Irina Lvova	Dostoevsky’s Motifs in William Faulkner’s Short Story Tomorrow	227-236
Olga Meerson	A Reply to Irina Lvova’s Article “Dostoevsky’s Motifs in William Faulkner’s Short Story Tomorrow”	237-240
	IN MEMORIAM
Tatyana Kovalevskaya	Robert Louis Jackson: In Memoriam	241-247