no. 3 (2022)

AUTHOR(S)	TITLE	PAGES
	From the Editor	14-17
	HERMENEUTICS. SLOW READING
Caterina Corbella	Dante's Comedy in Dostoevsky's Crime and Punishment	18-36
Vincenzo Rizzo	Trembling in Front of the Destiny	37-47
	POETICS. CONTEXT
Tatiana Boborykina	Crime and Punishment: Choreography of Text and Text of Choreography	48-77
Yulia Yukhnovich	The Image of Open Doors in F.M. Dostoevsky's Novel Crime and Punishment	78-86
Elena Stepanian	The Elusiveness of Symbols. On the Illustrations to Crime and Punishment	87-100
	DOSTOEVSKY ON STAGE
Enisa Uspenskaya	Actualization of the Epilogue of the Novel Crime and Punishment in Cinematic Transformations	101-132
	DOSTOEVSKY IN THE 20^TH-21^ST CENTURIES
Elena Takho-Godi	Raskolnikov's Personality as a Symbol: A.F. Losev and F.M. Dostoevsky	133-146
Nina Ishchenko	A Student that Has the Right: The Collective Anti-Raskolnikov in Donna Tartt's The Secret History	147-158
	COMMENTARY: PROBLEMS
Anastasia Pershkina	Crime and Punishment in the Context of the Reforms of Criminal Law in the 1860s. An Addition to the Commentary	159-169
	REVIEWS
Nikolay Podosokorsky	Fyodor M. Dostoevsky and the Nevsky Prospect (About Boris N. Tikhomirov's Book)	170-179