no. 4 (2024)

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AUTHOR(S) TITLE PAGES
Tatiana Kasatkina Dostoevsky: Short Forms, the Principle of Complementarity, and the Jew Achilles. Who is the Hero of “The Crocodile,” and How Did Demons Begin? From the Editor 21-30
 

HERMENEUTICS. SLOW READING

  
Tatyana Kovalevskaya Metaphysics in Notes from Underground and Translation Difficulties from Semantics to Grammar 31-56
Nikolay Kapustin The Poetics and Semantics of a Character’s Gaze in Dostoevsky’s Novel Crime and Punishment 57-71
 

POETICS. CONTEXT

  
George Prokhorov Svidrigailov and Achilles the Jew: About the Poetics of One Episode 72-89
Elena Safronova Crocodiliada by Fyodor Dostoevsky: Genesis and Evolution of the Theme 90-116
 

TEXTUAL CRITICISM

  
Natalia Tarasova Dostoevsky’s Draft Plan “Envy”: How Did Demons Begin? (Dostoevsky, Arthur Benni and Nechaev Court Case) 117-164
 

DOSTOEVSKY IN THE 20TH AND 21ST CENTURIES

  
Yulya Kaskina The Image of Rodion Raskolnikov in Ivan Shmelev’s Late Stories “Why It Happened” (1944) and “Notes of a Non-Writer” (1949) 165-180
Olga Kryukova, Maria Rarenko Osamu Tezuki’s Manga Crime and Punishment: Patterns and Paradoxes of Intermediality 181-193
Svetlana Kapustina Variants for the Continuation of the Novel Crime and Punishment in Russian-Language Fanfiction 194-214
 

DOSTOEVSKY: TRANSLATION PROBLEMS

  
Liudmila Karpenko Concepts of State in the Novel Crime and Punishment: Problems of Intercultural Translation of Fyodor Dostoevsky’s Artistic Language 215-253
 

SUMMARIES, REVIEWS

  
Nikolay Podosokorsky Summary of the 2nd International Online Conference “The Book in the Book,” in Memory of Alexander V. Mikhailov (1938–1995), October 1–3, 2024 254-266
 

BIBLIOGRAPHY

  
  Bibliographical Index of the Works of Valentina V. Borisova, 1976–2024 267-287

 

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